Conditions of air – Alison Critchlow
Alison Critchlow
Conditions of air
Oil and spray paint on board
60 × 90.5cm
Framed in limed ash frame
£1,750
Alison Critchlow is a painter, based in Cumbria, whose works straddle the line between figuration and abstraction. Painting, for Critchlow, is an experience enveloped in layers of memory, knowledge and reference interweaving together. Based on the northern edge of Cumbria, the framework and tradition of landscape surrounds her, and is often a starting point for many paintings. In this series of works, the artist manipulates and plays with the boundaries of this established structure and allows for the ‘uninterrupted flux of the world’ (in Sterne’s words) to permeate into the canvases.
Alison Critchlow
Conditions of air
Oil and spray paint on board
60 × 90.5cm
Framed in limed ash frame
£1,750
Alison Critchlow is a painter, based in Cumbria, whose works straddle the line between figuration and abstraction. Painting, for Critchlow, is an experience enveloped in layers of memory, knowledge and reference interweaving together. Based on the northern edge of Cumbria, the framework and tradition of landscape surrounds her, and is often a starting point for many paintings. In this series of works, the artist manipulates and plays with the boundaries of this established structure and allows for the ‘uninterrupted flux of the world’ (in Sterne’s words) to permeate into the canvases.
Alison Critchlow
Conditions of air
Oil and spray paint on board
60 × 90.5cm
Framed in limed ash frame
£1,750
Alison Critchlow is a painter, based in Cumbria, whose works straddle the line between figuration and abstraction. Painting, for Critchlow, is an experience enveloped in layers of memory, knowledge and reference interweaving together. Based on the northern edge of Cumbria, the framework and tradition of landscape surrounds her, and is often a starting point for many paintings. In this series of works, the artist manipulates and plays with the boundaries of this established structure and allows for the ‘uninterrupted flux of the world’ (in Sterne’s words) to permeate into the canvases.