Drawing in Space, The Art of Peter Furlonger
‘Painting is like a ‘window on the world” looking out onto a wide vista, rich with the complexity of our visual experience, while calligraphy is more akin to the experience of looking through a keyhole at the cosmos’
-Peter Furlonger
’People are drawn to Peter’s work first by the superlative craftsmanship and the visual impact.. then they enjoy the slow discovery and teasing out of the texts, sometimes overlaid and entwined, their delicacy and sensitivity.’
-Penny de Quincey
includes: forward by Penny de Quincey, Letterform and Abstraction United essay by Tamzin Mackie, Studio Glass section, Stone section, Stained Glass section, Graphics section, Afterword by Harriet Frazer
Paperback, 21 x 30cm
52 pages (43 full colour illustration)
ISBN 978-1-906601-38-6
‘Painting is like a ‘window on the world” looking out onto a wide vista, rich with the complexity of our visual experience, while calligraphy is more akin to the experience of looking through a keyhole at the cosmos’
-Peter Furlonger
’People are drawn to Peter’s work first by the superlative craftsmanship and the visual impact.. then they enjoy the slow discovery and teasing out of the texts, sometimes overlaid and entwined, their delicacy and sensitivity.’
-Penny de Quincey
includes: forward by Penny de Quincey, Letterform and Abstraction United essay by Tamzin Mackie, Studio Glass section, Stone section, Stained Glass section, Graphics section, Afterword by Harriet Frazer
Paperback, 21 x 30cm
52 pages (43 full colour illustration)
ISBN 978-1-906601-38-6
‘Painting is like a ‘window on the world” looking out onto a wide vista, rich with the complexity of our visual experience, while calligraphy is more akin to the experience of looking through a keyhole at the cosmos’
-Peter Furlonger
’People are drawn to Peter’s work first by the superlative craftsmanship and the visual impact.. then they enjoy the slow discovery and teasing out of the texts, sometimes overlaid and entwined, their delicacy and sensitivity.’
-Penny de Quincey
includes: forward by Penny de Quincey, Letterform and Abstraction United essay by Tamzin Mackie, Studio Glass section, Stone section, Stained Glass section, Graphics section, Afterword by Harriet Frazer
Paperback, 21 x 30cm
52 pages (43 full colour illustration)
ISBN 978-1-906601-38-6