Look to the Sky – Alison Critchlow
Alison Critchlow
Look to the Sky
Oil, acrylic and spray paint on canvas
90 × 100cm
Framed in oak tray frame
£2,500
Alison Critchlow is a painter, based in Cumbria, whose works straddle the line between figuration and abstraction. Painting, for Critchlow, is an experience enveloped in layers of memory, knowledge and reference interweaving together. Based on the northern edge of Cumbria, the framework and tradition of landscape surrounds her, and is often a starting point for many paintings. In this series of works, the artist manipulates and plays with the boundaries of this established structure and allows for the ‘uninterrupted flux of the world’ (in Sterne’s words) to permeate into the canvases.
Alison Critchlow
Look to the Sky
Oil, acrylic and spray paint on canvas
90 × 100cm
Framed in oak tray frame
£2,500
Alison Critchlow is a painter, based in Cumbria, whose works straddle the line between figuration and abstraction. Painting, for Critchlow, is an experience enveloped in layers of memory, knowledge and reference interweaving together. Based on the northern edge of Cumbria, the framework and tradition of landscape surrounds her, and is often a starting point for many paintings. In this series of works, the artist manipulates and plays with the boundaries of this established structure and allows for the ‘uninterrupted flux of the world’ (in Sterne’s words) to permeate into the canvases.
Alison Critchlow
Look to the Sky
Oil, acrylic and spray paint on canvas
90 × 100cm
Framed in oak tray frame
£2,500
Alison Critchlow is a painter, based in Cumbria, whose works straddle the line between figuration and abstraction. Painting, for Critchlow, is an experience enveloped in layers of memory, knowledge and reference interweaving together. Based on the northern edge of Cumbria, the framework and tradition of landscape surrounds her, and is often a starting point for many paintings. In this series of works, the artist manipulates and plays with the boundaries of this established structure and allows for the ‘uninterrupted flux of the world’ (in Sterne’s words) to permeate into the canvases.